The Changing Image of Women Position in Chinese Film Since 1950s Essay

The Changing Image of Women position in Chinese Film Since 1950s Since 1950s, after the president monoamine oxidase Zedongs Yann conference, art and literature had strictly become tools of promoting the ideology of communist Party, that is, the product of art and literature in China rear end be classified as highly popanganda. Chairman monoamine oxidase Zedong and his Communist Party strongly suggested the equality of both genders - male and womanly. To promote Maos theory, authoritative kind of strong young-bearing(prenominal) characters image had been created in films since 1950s, and further much, the images of these female characters were changing during the time period. The common features of the female characters in Chinese film are usually being victimize, they always suffered under authentic convention feudal rules, the effect of capitalism, the landlord, or fall victim to certain politics. And the films always targeted on how these female characters fight aga inst those reasons of suffering, and creating tensions to the narrative because these confrontations. During the Cultural Revolution, a very popular female image had created, it is the White Hair lady friend (Baimao N) (1972) This female character image is a tough, strong and expert of hatred to the feudal landlord who insulted her and her family. Her desire is very obvious -- to revenge. And finally, she ended up with a heroic image in the film with the help from Chairman Mao Zedong and his Communist Party. However, this film rarely announced the realistic of a female character, that is, despite the obsession hatred of White Hair little girl toward the landlord, and the joy of starting a new life with the Communist Party, sense of hearing notify rarely feel the other kind of emotion from this female character, for example, the desire of to be loved, is absent in this film. Therefore, in the other hand, some other question had been raisen Do the White Hair misfire nec essary to be a female character when she hasnt shown any of the desire of female? In this film, White Hair miss is not necessary to be a female, only the reason for it is , a victimized female is more easy to grip audiences sympathy. And this also suggested the position of women as women itself is not important during that period. But obviously, this film is just purely a popanganda from the Communist Party during the Cultural Revolution - a model deed (geming yangbanxi) ... ...story. The conflict of old convention and the suffered women are only just section of the problems in China. However, from the popularity of The Yellow Earth and The Red Sorghum in China, we can knew that the problems that similar to the films are still existed quite often in the young China. This suggested that although the position of women image in the recent film had being risen, precisely still there are many women and social problem carcass in China today.BibliographyMcDougall, Bonnie S., The Yellow Earth, The Chinese Univrsity Press, Hong Kong, 1991Ng, Yvonne, Imagery and locomote in Red Sorghum, 1996FilmographyCheung, Yimou, Red Sorghum, (1987)Chen, Kaige, The Yellow Earth, (1984)The White Hair Girl (Baimao N) (1972)BibliographyMcDougall, Bonnie S., The Yellow Earth, The Chinese Univrsity Press, Hong Kong, 1991Ng, Yvonne, Imagery and Sound in Red Sorghum, http//www.arts.uwaterloo.ca/FINE/juhde/yvo951.htm, 1996FilmographyCheung, Yimou, Red Sorghum, (1987)Chen, Kaige, The Yellow Earth, (1984)The White Hair Girl (Baimao N) (1972)