Edgar Allan Poe: Narrative Structure in “Ligeia” Essay

Known for his flowing descriptive and gothic style, Edgar eitheran Poe does non appear to develop whatever provable tale organize in his work. His short stories are generally identified with the gloomy, desolate, and horrifically shocking sensations they spark deep down the ref. Particularly in his short story, Ligeia, Poe seems to have done away with any sort of apparent twist within the story. Rather, he portrays it as a mixture of somewhat chronological events combined with the wandering thoughts from the eccentric estimate of the teller. However, narrative structure lies beyond the simple storyline of plot and back end be revealed within many another(prenominal) elements of a story. In Ligeia, the elements of subject and repetition play an important role in developing and maintaining its narrative structure.In separateicular, Poe seems to stress one inte equaliseringly repeated quote, as it appears four propagation throughout the story. Man doth not yield him to the angels, nor unto demolition utterly, survive plainly through the worn downness of his feeble will (1, 1, 4, 7). From the continual idiom of this quotation, there arises a principle notion of a tension betwixt the predominant themes of aliveness story and shoemakers last. Further more than, this notion constitutes the backbone of the story from which all other recognizable themes subsequently branch from. The themes of death, guilt, conduct, and opium the factor that questions the validity of all rear recognizable markers to the overriding theme of the tension between life and death within Ligeia.The pervading theme of death fills Poes writing and creates an omnipresent automatic teller of dark apprehension. The movement of the text incessantly alludes to the upcoming death of Ligeia. All the familiar characteristics of her person (her wildly effulgent eyes, her interest in the tellers studies) gradually fade away in Poes verbal description of her illness. And&nb spnow those eyes shone less and less frequently upon the pages over which I pored. Ligeia grew ill (5). The death of Ligeia renders her husband completely helpless and continually want for her. Without Ligeia I was but as a child groping whelm (5). This fruitless despair and misery gum olibanum sets the tone of irresolution for the rest of the story.Furthermore, it also adds to the structure of the narrative by substantiating the life and death tension. By juxtaposing this feeling of continual yearning with the shock and irony of the necromancing of Ligeia, the rage ending of the story is further emphasized. This motif of sickness and death over again reappears as the gentlewoman Rowena falls deathly ill. Typical of his depressing style, Poe creates a more terrible and incurable sickness for the second wife. Her illnesses were of alarming character, and of more alarming recurrence, defying alike the knowledge and the great exertions of her physicians (9). Continuing to accent uate the curse and angst of death, Poe describes the corpse of peeress Rowena vividly. The lips became doubly shriveled and pinched up in the ghastly expression of death a repulsive clamminess and common cold overspread rapidly the surface of the body and all the usual sloshed stiffness immediately supervened. (11)This slow anti-climactic death continues to the keep hopes of the storyteller and the reader fluctuating, maintaining the feeling of unresolve. The anxiety exhibited within the irresolution of death therefore supports the structural theme of the tension between life and death.A more subtly conveyed theme, guilt, continues this trend of unease. This self-blame originates from the narrators subconscious jealousy of Ligeias intelligent superiority. She maintains the leadership in their marriage. The narrator obviously adores her and is extremely aware of her knowing strength over him. Proclaiming that she maintains unquestionable supremacy of knowledge, the narrator u nintentionally develops this jealousy. The intellectual acquisitions of Ligeia were gigantic, were astonish (4). He seems to conceal a slight resentment of her scholarly dominance. This becomes marked as he states that he renders himself a child in  comparison to her authority. I was sufficiently aware of her infinite supremacy to resign myself, with a child-like confidence, to her guidance (4).With a certain bitterness, he later repeats, Have I ever found Ligeia at fault? (4) It can even be implied that later on the narrator reaches the limits of her knowledge, he al near wills her death. Being so caught up with learning worlds of information through her guidance, he is incredibly disappointed when he discovers a boundary to this freely prey wisdom. From these implied feelings of jealousy and disappointment, he understandably feels incredible guilt and remorse after her death. This could be one of the reasons he obsesses over her death. Because of these circumstances, t he resulting unsettled atmosphere of tension reinforces the tension of Ligeias death. repugn the despondency of death, the immeasurable will of life eventually pommels death, thus severance the tensions between the two. Ligeia provides the source for this will. Her fight with death portrays her strength of character most effectively. The narrator continually emphasizes her spirit with repetition of words. Words are unfertile to convey any just idea of the fierceness of resistance with which she wrestled with the Shadow. In the intensity of her wild desire for life -for life but for life bold mine solace and reason were alike the uttermost folly (5). As Ligeia repeats her renowned quote (Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will (7)) twice before dying, her stalwart determination not to give herself to death proves undeniable. Her repetition of this quote could be thought to signify that she can only die if she resigns herself to be weak and feeble that she will double back to life because her will to live surpasses death itself. It could also be thought of as Ligeias last quest to her husband telling him that if his will is strong enough, he can bewilder her back to life. Whether or not the narrator understands what she says, he acts accordingly.Never does he forget Ligeia or stop thinking of her. Feeling that he ineluctably to fill the void that Ligeia left, he quickly marries the next available woman, Lady Rowena. While comparing Ligeia to his second wife, however, he becomes further embittered and his will for Ligeia to return to life becomes more fanatical. He admits of Rowena, I loathed her with a hatred belong more to demon than to man. My memory flew back to Ligeia, the beloved the august, the beautiful, the entombed (9). At times, Ligeias desire for life combines with his yearning for her and the prophecy almost becomes real. Now, then, did my spirit to the full an d freely burn with more than all the fires of her own. as if I could animate her to the pathway she had abandoned upon the earth (9). Immediately after this line is mentioned, Lady Rowena becomes ill with a sudden illness. The narrator, perhaps unconsciously, seems to be meddling with the federation between life and death.During Rowenas many fluctuations between life and death, it becomes obvious that the narrators thoughts are controlling the state of his current wife. As he concentrates on attending her and watching her closely, she falls back into death. As he reminisces about Ligeia, however, the corpse becomes alive again. One may venture that Rowena has died days ago and the glimmer that is Ligeia returns only when the narrator wills it. Ligeias final exam transformation into the living ends the novel with a bang. After all the narrators lament and yearning for Ligeia to live again, his reaction is one more of horror than of happiness as he shrieked aloud (13) after his discovery. Perhaps because of his guilty conscience, the narrator responds with fear of her rather than love and he is finally forced to come face to face with his guilt. Consequently, this will to sequester death confronts the tensions between life and death head on and thus shattering them.The final major theme permeating the plot, opium use, questions the validity of the narrators accounts such as reviving the dead. Not so subtile hints to the narrators opium use fill the narrative. He admits numerous times to having used the drug and that it affects his foreland. After suffering the pain and loss of losing his love, the narrator resorts to opium to blur the sharp reality of this anguish. I had become a bounden slave in the trammels of opium, and my labors and my orders had taken a coloring from my dreams (7). Furthermore, when he describes visual perception the ghost of Ligeia and the drops of red fluid in the wine, he questions his state of mind several times. But I was wild with the excitement of an immoderate does of opium I considered the circumstance to have been but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, by the opium italics mine, and by the hour (10). to begin with his vision of the living Ligeia, there are at least ternion specific references to the narrator having used opium the page before. Consequently, his account is definitely questionable. In addition, the accounts the mysterious noises and visions of Rowena can also be questioned as it was common to give opium to those suffering from Tuberculosis (which is what was Rowena was hypothesized to have). The narrators opium use could be part of the source of tension so prevalent in this story. Because of his constant dream-like state, it is presumptive he creates tensions that are not there such as believe he can control the state of Ligeia (causing her death, willing her back to lifeetc.). Of course, it is also possible that Ligeia ne ver did return to life and he had move into another opium dream. The numerous opium references diffused throughout Ligeia intensify the narrative structure by adding the element of doubt to the narrators account.These major elements from Ligeia, death, guilt, life, and opium use, direct reinforce the main structural element holding the narrative together, the life vs. death tension. All four complement each other as well for without one, the other ones would not be complete. Without the pervading theme of death, the will to overcome death would not be as shocking. Without the acknowledgement of the opium usage, the story competency be taken literally and simply pinned down as a surreal fantasy. With the knowledge that the story is told through the misty veil of opium, however, the incident exists that the there exists no supernatural elements at all and only a narrator in a dreamy state-of-mind. Thus, although Ligeia seemingly lacks structure initially, its structure subsists w ithin the interweaving of these four prevailing themes.